The reason I ask: I just received comments from one of my
critique partners for the latest chapter in my current work in progress and she
suggested that I write a few scenes from the villain’s Point of View.
Villains, real and imagined, have been portrayed in print and film
throughout history. Some were so evil, we dare not think of them. Some not so
much. There was even a movie called The Villain, a western comedy with Kirk Douglas,
Arnold Schwartzenegger and Ann-Margret…it was a hoot! That villain was funny!
I have written from the villain’s
POV before and enjoyed it. In Touch the Flame, the villain was a
man obsessed with possessing a fabulous diamond that was both cursed and
blessed…and he didn’t care who got in his way.
In A Treasure Worth Keeping, I wrote not from the villain’s POV,
but from his henchman—Porkchop—a poor, misguided chap who reminded me of Smee
from Peter Pan. He was terrified of his captain and ended up falling in
love with the heroine….but I digress.
A villain can be a great character,
the perfect foil for what the hero and heroine are going through, perhaps even
the reason they are thrown together in the first place. He can be portrayed in
so many ways and if done right, we may even feel empathy for him (or her)…like
Porkchop.
But I hesitate. In my current work
in progress, my villain is off-stage. We never see him commit a crime. We don’t
know why he does what he does, either, but we suspect and we wonder. We see and
feel the aftermath of the crime in the emotions the hero and heroine experience…and
we know, in the end, justice will prevail so do I want to write scenes from
this villain’s point of view and give him a chance to explain why he is the way
he is?
At this point, I’m not sure. What
would you do? Is the villain’s point of view important to you?
As always, happy reading!
Marie
